2/14/2024 0 Comments Audacity vs kristal audio engineVoxengo VST effects (have all plugins with the "new" GUI) Paid for plugins (in addition to the native plugins that come with the DAWs): A couple of times as ReWire client, but I'm not sure if the benefits exceeds the drawbacks) Reaper and FL Studio DAWs (After I bought Reaper, I have barely used FL Studio. M-Audio Firewire 1814 audio interface (only use it for ASIO-driver and monitoring) Sennheiser K271 Studio headphones (very detailed and clean sound, but I'm not too happy with the overall frequency balance) Alesis M1 Active Mk2 monitors (I like the sound character, but they lack clarity and precision) I barely record music at the time, but make electronic music. Warwick WCA 411Pro and WCA 115Pro cabinets A lot of effect pedals from EBS and Boss Godin Shifter bass (a little more classic sound ala Fender, my favourite at the moment) Ibanez SR1200E Premium bass (upfront and modern sound) Listerud custom made bass (good allround 5-string) So I sold everything and did either record/mix music, play bass or even listen to music for two years. But it was too much work, too little fun and too expensive. I mainly used gear from Steinberg, Genelec, Presonus, Focusrite, Sennheiser, Røde, Shure, Universal Audio, dBX and Lexicon. I used to have a decent studio (according to my standards), but sold everything back in 2009. Sorry to make this thread, I just love all things that contribute to people's recording projects Pyro Audio Creator (for burning red-book compliant CD's) Native Instruments - Absynth 5, FM8, Massive Laney LX120 guitar amp with matching cabinetĪKG Perception 120 Condenser Mic (studio) I run that on a Toshiba Satellite Pro with CoreI3 processor, 500gb hard drive with 8gb ram.ĭon't won drums yet but used a 2box electric drumkit to record all my drum tracks for my album. Obviously i use Reaper for my primary DAW, i use Kristal Audio Engine to master. I'll kick this one off like a game of footy. that people use in their recording endeavors. If there is, I do apologize.īut, I love hearing what gear, instruments, technologies, etc. In effect the channel mapping is being handled externally to Audacity.Couldn't find one of these threads myself. Press record, and Audacity will record channels 1 and 2 from the “dummy”, which are directly connected to system ports 4 and 2, so Audacity records “input 4” from the audio device on channel 1 and “input 2” from the audio device on channel 2. Start Audacity and set it to record 2 channels from the “dummy”. “System ports” 4 and 2 are now connected to inputs 1 and 2 of the “dummy”, and thus to outputs 1 and 2 of the “dummy”. Start Jack, and open a “dummy” jack application that has inputs straight through to its outputs (for example an empty instance of JackRack.Ĭonnect the “dummy” application to the required input ports (for example, inputs 4 and 2). Audacity defaults to the first n channels each time that you start recording or monitoring. The downside of this workaround is that you need to redo the connections every time that you want to record. Switch the inputs that Audacity is connected to using the “Connect” utility in Jack Control, (or whatever your preferred Jack configuration tool). Set Audacity to use the number of required inputs. If, for example, 3 channels are selected, Audacity connects to channels 1, 2 and 3, regardless of any settings in Jack. Recording would then connect to those selected channels. The required inputs would be selected by the users in the audio application (this is limited in Audacity to the number of channels rather than which channels). When a multi-channel device is selected as the input for Jack, the device is seen as a “readable client” and each input appears as a “socket”.Īudacity does not handle this correctly, so here’s what “should” happen, what "does happen, and two workarounds for Audacity’s incorrect behaviour: So again how does that work in Audacity in the above scenario? On Linux you can do a similar thing with Jack.
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